Zamanin mulkin mallaka ya sa marubutan Spain suka yi sha'awar Sabon Spain. Gano ƙarin game da wallafe-wallafen wannan lokacin ...
Yayin da nyan mulkin mallaka ya ci gaba, musamman lokacin Baroque, spains biyu, Tsoho da Sabon, sun fi kama da juna, amma akwai manyan abubuwa masu banbanci tsakanin su. Yawancin marubutan Sifen da yawa sun so su zo sabbin ƙasashe: Cervantes da kansa ya nemi matsayi daban-daban a cikin masarautun ƙasashen waje, babban masanin San Juan de la Cruz ya riga ya shirya tafiyarsa lokacin da mutuwa ta rufe hanyarsa, da sauran marubutan, kamar su Juan de la Cueva, Tirso de Molina da ƙwararren Eugenio de Salazar sun ɗan share shekaru a cikin sabbin ƙasashen.
Wani lokaci mai zane yana ƙara kasancewarsa na dindindin ga tasirin ayyukansa akan al'adun baroque na Sabuwar Duniya, duk da haka furcin adabin New Spain yana da masanan da ba za a iya shawo kansu ba a Carlos de Sigüenza y Góngora, Sor Juana Inés de la Cruz, Bernardo de Balbuena, Juan Ruiz de Alarcón, Francisco Bramón, Miguel de Guevara -Michoacan wanda aka ba shi shahararren sonnet ɗin "Allah na ba ya motsa ni in ƙaunace ku", wanda ba daga San Juan de la Cruz ba, ko kuma daga Santa Teresa- har ma da Fray Juan de Torquemada.
Da yake magana game da baroque na wallafe-wallafen za mu iya yin la'akari: Wataƙila mafi yawan fasalin baroque na wallafe-wallafen shine, watakila, bambanci. Wannan chiaroscuro, wanda a cikin ayyukan yake nuna kansa a matsayin mai rikitarwa, sabawa da amfani da rubuce-rubuce da antithesis, kusan kusan alama ce ta baƙuwar amfani da harshe na baroque: yi tunanin, misali, na son Son Ju Juana Inés de la Cruz: Wancan butulci yana barin ni neman masoyi, / wanda ya biyo ni sai na bar mai butulci / Ina ƙaunata ga wanda ƙaunata take zagi; / cutar da wanda ƙaunata ke nema koyaushe ”, a cikin sa, duka jigon da kalmomin da aka yi amfani da su cikakke ne na nuna ɗayan da akasin sa.Marubucin bai yi iƙirarin asali ba, ra'ayin da a zamanin Renaissance ko Baroque ba shi da matsala kamar yau, amma akasin haka, ra'ayin demímesisoimitatio, wanda a sarari Sifaniyanci shine "kama, kwaikwayon halaye ko isharar", shine galibi abin da ya ba marubucin kyakkyawan suna da mutuncinsa. Wannan ya tabbatar da wayewa da mutuncin wanda ya rubuta aiki. Gabaɗaya, marubucin tarihin yana bayyana tushensa kuma yana haskaka marubutan da suke tasiri a kansa .. Galibi suna kafa kwatancen, don saka nasu a cikin yanayin duniya. Misali, Sor Juana tana bin ka'idodin ka'idoji na gargajiyar gargajiyar gargajiyar gargajiyar gargajiya: idan ya zo ga girmamawa ga wani, misali a batun Allegorical Neptune, ta daidaita shi da wani allahntaka na gargajiya. Lyric shine mafi shaharar jinsi a lokacin, kuma a ciki sonnet yana da wuri na musamman. Sauran nau'ikan an kuma horar da su, ba shakka: littafin tarihin da gidan wasan kwaikwayo, takaddar rubutu da haruffa masu tsarki da sauran ayyukan ƙananan fasaha. Mawaka Baroque, tare da dabarunsu, suna amfani da dabaru masu rikitarwa, masu gaba da juna, masu saɓani, da ƙari, da tatsuniya, tasirin adabi, tasirin gaske, kwatancin ban mamaki, ƙari. Hakanan suna yin wasannin adabi da maganganu irin na almara, alamu, maze, da alamu. Dandanon karin gishiri yana haifar da kayan tarihi ko kuma, a bayyane za mu ce, akasin haka. Jigogin na iya bambanta amma a gaba daya suna magana ne game da bambancin da ke tsakanin ji da hankali, hikima da jahilci, sama da jahannama, sha'awa da kwanciyar hankali, na lokaci, rayuwar banza. , bayyane da gaskiya, allahntaka a dukkan siffofinsa, tatsuniya, tarihi, masani, ɗabi'a, falsafa, satirical. Akwai girmamawa ga shaƙatawa da kuma ɗanɗano ɗanɗan karin magana.
Fahimtar cewa duniya wakiliya ce, abin birgewa, yana ɗaya daga cikin nasarorin da baroque ya samu a ciki da wajen adabi.
