Kiɗan fim wani nau'in girmamawa ne da ake girmamawa sosai idan aka ba da adadin makada na asali a kasuwa. Tambayar ita ce: kuma me ya sa a Meziko, ƙasa da ke da babbar al'adar kiɗa, ba a buga game da shi?
Kiɗan fim wani nau'in girmamawa ne da ake girmamawa sosai idan aka ba da adadin makada na asali a kasuwa. Tambayar ita ce: kuma me ya sa a Meziko, ƙasa da ke da babbar al'adar kiɗa, ba a buga game da shi?
Bayan sun shirya fim, darektan da editan na aiki tare sun ba wa mawaƙin ƙayyadadden lokacin waƙoƙin baya. Anyi rikodin wannan ta fuskar allo, ma'ana daidai tare da hoton, ta ƙungiyar makaɗa. A zamanin zinariya na sinima akwai fina-finai kusan 200 da aka yi a shekara kuma ƙungiyar mawaƙa suna aiki dare da rana. Mawakan da suka kware a wannan reshe; haka kuma, sun kasance ɓangare na ƙungiyar reshen fim. Raúl Lavista ya sanya fina-finai 360 don kida, wasu har zuwa 600… Mun san Manuel Esperón, amma akwai kuma Sergio Guerrero da Antonio Díaz Conde, Gustavo César Carrión, Enrico Cabiati, Luis Hernández Bretón, Jorge Pérez Fernández… Wasu sun mutu, wasu, kamar maestro Esperón , Suna fada sosai don mantuwa, kuma Sergio Guerrero baya son ya sake jin aikinsa.
A cikin 1970s, mawakan gargajiya na zamani sun haɗu da su: Blas Galindo, Eduardo Mata, Joaquín Gutiérrez Heras da Manuel Enríquez, da sauransu. Me yasa tozarta daga al'umma ga masu tallata al'adunta?
Mafi mahimmanci ɗakunan binciken fim koyaushe sune Studios Churubusco. Anan ne daidai inda nake aiwatar da aikin ceto da maido da kayan sauti. Ina son wannan labarin ya zama kyauta ta dindindin ga manyan injiniyoyin sauti, editoci, masu tsara abubuwa, da masu yin ta daga baya, lokacin da silima ta kasance masana'anta ta gaskiya. Lokacin sauraren rakodi, babu wata tantama cewa sune al'adun al'umar kasar Mexico: jaruman juyin juya hali, corridos, rancheras, samarin tafi-da-gidanka, da sauransu. Lokacin da Yammacin Spaghetti ya yi nasara a Italiya, Mexico ba ta da nisa: muna da yammacin yamma, gabaɗaya Rubén Galindo ne ke jagorantar sa kuma Gustavo César Carrión ya shirya shi don kiɗa koyaushe. Maganar, ba shakka, iska ce ta biyu ta Ennio Morricone (wanda, af, yana da finafinan Mexico uku), amma ba wanda zai iya ɗauka daga Maestro Carrión ƙwarewar al'adunsa na amfani da marimba, katantanwar Hispanic ko rawa 'yan ƙasar.
Ana yin rikodin kiɗan a kan faifan maganadiso na tsari mafi kyau don lokacin, kodayake rashin alheri ya tsufa a yau. Yawancin ƙwaƙwalwar ajiyar audiovisual na ƙarni na ashirin suna gab da ɓacewa, ba tare da ɓata lokaci ba, saboda masu tallafawa ba su da ƙarfi. Babu wanda zai manta da haɗarin kayan aikin nitrate na azurfa ko fashewar sakaci na Cineteca Nacional a shekarar 1982. Babu isasshen lokaci, kasafin kuɗi ko ƙarfin ma'aikata don adana fina-finai da waƙoƙin sautunan su.
Bayan nitrate, an yi amfani da acetate. Daidai ne waɗannan kayan da na yi niyyar adanawa a kan agogo. Ba da daɗewa ba za su ɓace saboda abin da muka sani da "cutar ƙwayar cuta ta vinegar." Abubuwan daukar hoto suma suna fama da ita, amma saboda wasu dalilai lalacewarta tana da hankali. A zamanin yau, lokacin da aka yi goyan bayan polyester, sai aka gano cewa asassan sune wadanda ke fama da cutar hydrolysis da ke sanya su cikin haɗari.
Daidaici da wannan matsala ta rashin zaman lafiyar kayan aikin an kara da cewa na tsautsayi na tsari. Kiɗan bango shine, don mafi yawan ɓangaren, an yi rikodin shi a cikin 17.5 mm. Rikodi na ƙarshe da aka sake bugawa, wanda yake a cikin urubaurarin Churubusco, ta hanyar mu'ujiza ba wanda aka azabtar da shi. A yanzu ina yin kaset din kaset, ina neman duk wuraren garin domin nemo wuraren adana bayanai, amma saboda wani bakon dalili wasu rumbunan tarihin sun bazu. Har zuwa yau na sami nasarar tattara taken sama da 1000 a cikin tsarin dijital. Kowane fim yana da aƙalla ɗaya ko biyu daga waɗannan abubuwan: waƙar baya, kunna-baya, waƙar ƙasa da ƙasa, sake yin rikodi, da tirela. Wasu lokuta aiki ne mai wahala, kamar yadda dole ku lika kaset ɗin, bi ta waƙa. Amma sakamakon yana da wuya. Shakka babu yana daga cikin al'adun gargajiya na Al'umma. Aiki ne na dogon lokaci. A yau mun san tsarin dijital, amma a cikin shekaru 20, wane tsarin za a yi amfani da shi? Tafiya daga tsarin da ya wuce zuwa tsarin dijital, zan iya ba da tabbacin cewa a cikin shekaru ashirin za a iya yin kwafin fim a cikin tsari mai dacewa, amma har yanzu ba a san mu ba.
Yawancin fina-finai dole ne su ɗauki sabon rayuwa kuma babu shakka cewa waƙar bayan silima ta Mexico ita ma ta cancanci tashi, ba tare da hoton ba, ta amfani da kanta, azaman girmamawa ga duk masu fasahar fasaha da fasaha waɗanda suka halarci fim ɗinmu. . Ina aiki ni kadai tare da goyon bayan Estudios Churubusco da CONACULTA, a kan dukkan rashin daidaito kuma tare da ƙananan albarkatu; Koyaya, bari mu tuna cewa UNESCO ta fayyace cewa adana al'adun gargajiya marasa mahimmanci dole ne ya zama babban fifiko ga gwamnatoci.
Source: Mexico a Lokaci Na 38 Satumba / Oktoba 2000
Sibylle Hayem Laforet
