A farkon shekarun 1950, Mista Tomás Espresate da Mista Eduardo Naval, masu mallakin Shagon sayar da littattafai na Madero, sun ƙirƙiri ƙaramin injin buga littattafai a cikin Zona Rosa, inda José Azorín da Jordan uwan Jordí da Francisco Espresate suka yi aiki. Daga baya, wani karin kayan masarufi da kayan mutane ya kai su titin Avena a cikin unguwar Iztapalapa, inda Kamfanin Buga Madero ya ci gaba kuma ya ƙare da zagayen rayuwarsa a 1998.
A cikin shekarun sittin, Vicente Rojo, darektan zane-zane na kamfanin dab'i - tare da goyon bayan matasa ma'aikata -, yayi gwaji game da abubuwan da yake so na fasaha a cikin hotuna, fuloti, faranti da zane-zanen karfe. Wannan rukunin yana da alhakin littafin farko da aka yi shi a zaɓin launi, wanda aka yi shi a kan faranti na ƙarfe, a kan Remedios Varo, ya kasance ci gaba ne don lokacinsa. Irin wannan binciken ya samar da asalin harshe na zane zane na gaskiya; har yanzu makarantun masu zane-zane da sana'oi basu bayyana a kasarmu ba.
A matsayin misali na sama zamu iya lura cewa anyi amfani da babban bambanci a cikin fim ɗin hoto kafin wannan aikin ya kasance a fagen kasuwanci. Aikace-aikacen masana'antar launuka "shara" a fanin bugawa wata gudummawa ce ta fasaha, cimma nasarar ceto al'adar fada da tallan dambe, da kuma amfani da hotunan hotuna da kuma shawarwari a matsayin yare mai bayyanawa a cikin hotunan hotuna.
A cikin shekaru saba'in, ƙungiyar matasa sun fara shiga cikin aikin ƙira na kayan aikin buga takardu, koyaushe suna jagorantar Vicente Rojo kuma tare da ra'ayin "bitar", inda aikin kowane mutum ya kasance wani ɓangare na gama kai. Musayar kwarewa kuma a lokaci guda warware matsaloli tare ya haifar da sabon salo.
Masu zanen kaya irin su Adolfo Falcón, Rafael López Castro, Bernardo Recamier, Germán Montalvo, Efraín Herrera, Peggy Espinoza, Azul Morris, María Figueroa, Alberto Aguilar, Pablo Rulfo, Rogelio Rangel, marubucin wannan rubutun da wasu, muna cimma nasara tare da aikinmu a cikin ɗab'in buga takardu cikakken horo azaman ƙwararrun masu zane-zane. Wannan aikin gama gari, cikin alaƙa da matsalolin samarwa da ƙarƙashin jagorancin jagora, ya jagoranci babbar ƙungiyar masu buga takardu da masu zane don yin alama a matakin ƙirƙirar zane a cikin ƙasarmu, buga hatimi, salo ga wallafe-wallafe da fastoci, ƙirƙirar - ba tare da ƙaddamar da ita ba - sanannen asalin Madeungiyar Madero.
Zuwa shekarun da suka wuce, tare da Rukuni na Kamfanin Madero kusan narkar da su, bikin karni na Cinema ya motsa mu muyi aiki tare tare da kokarin tseratar da wani aikin gama gari. Mun sadu da ƙungiyar masu zane, abokai da ƙawaye, waɗanda muka sanya wa suna Salón Rojo, don girmamawa ga Vicente Rojo, don gina aikin da ba shi da sha'awar shiga kuma kowane mutum ya ɗauki nauyin nasa har zuwa ƙarshe, gami da, idan ya cancanta, kudin bugu. Karɓar zargi mai ma'ana a cikin tattaunawa tsakanin ƙwararru da yin tsokaci kan hanyoyin kirkirar abubuwa da shawarwarin akidun ayyukanmu, la'akari da aikin da kansa ba sunan mai tsarawa ba, ya wadatar da kowane ɗayan ra'ayoyin, don haka cewa, a lokuta da yawa, daidaituwa da yarjejeniya sun cimma. Taken shi ne bikin tunawa da shekaru dari na ɗaya daga cikin mahimman al'amuran al'adu a tarihin zamani: sinima. Fom ɗin, hoton da kowane ɗan takara ya tsara wanda za'a buga shi saboda yana da ɗan gajeren gudu, tare da matsakaitan inki huɗu. An kuma tattauna girman ƙarshe kuma an yarda da yin amfani da mafi girma (70 x 100 cm). An mika goron gayyatar ga ƙwararrun masanan 23 waɗanda ke da sha'awar shiga a ƙarƙashin sharuɗɗan da ke sama.
Duk baƙin sun halarci taron bayanin farko tare da ruhohi masu zafi da karɓuwa da kuma sha'awar aikin rukuni. A cikin taro na biyu, lokacin da ake sake nazarin tsarin, mun ji daɗin rashi na farko; nazarin kayan ya kasance mai tsauri, tsayayye kuma santsi; Da wuya aka bayyana ra'ayoyi kuma shawarwari na kutse ne na gaske; girman zargi ya ɓace kuma an ɗora takamaiman samfuran, ba tare da niyya ko zalunci ba.
A taro na uku, kungiyar ta koma mambobi 18, wadanda suka ci gaba da hada kai tare har zuwa karshen aikin. A cikin wannan matakin, ƙarfi, bayyananne, mai amfani da fa'ida mai fa'ida ya fara gudana, kuma shingayen tsoron buɗe ra'ayi da yarda ta gaskiya sun rushe. Mun sami damar tattaunawa kan ka'idoji da kuma daidaita aikin, wanda muka sami kyakkyawan aiki tare, wanda ke haifar da canji a tsarin aikin masu zane: don samarwa da ƙashin kansu da ƙwarin gwiwa, ba tare da wani ƙwarin gwiwa na waje da ya gabata wanda ke wakiltar tsaro a cikin saka hannun jari ba na lokaci da aiki. Mun yi imanin cewa wannan ƙwarewar farko, ta fara hidimar farko a tarihin koyarwarmu a Meziko, ya wadatar da duk mahalarta, ya koya mana sauraro da bayyanawa, gyara da watsi da ra'ayoyi, don haɓaka ayyukan da a cikin kadaici zai kasance da wahala a gabatar da shi don girma.
Ya kamata a haɓaka wasu ayyukan biyu. Na farko yakar sukar Acteal lokacin tunawa da ranar farko da kisan gillar, na biyu abin tunawa da motsi na 1968, ceton manyan harsuna don iya kwatanta wahayi shekaru talatin baya. Waɗannan ayyukan na ƙarshe sun kasance ba daga mahalarta 18 na farko ba, don haka taken Salón Rojo ya kasance rajista ne kawai a cikin aikin su na farko da kawai.
Sauran shagunan gyaran gashi za su ga haske daga waɗannan abubuwan kuma yawancin masu zane-zane za su gudanar da kasada na aiki tare, yin hakan yana wadatar da su.
Source: Mexico a Lokaci Na 32 Satumba / Oktoba 1999
