Shahararren Manuel Toussaint ya fi yawa ne saboda irin dimbin tarihinsa, gudummawar da babu irinsa ga bincike da fassarar tarihin fasahar Mexico.
A cikin wannan filin da ya wuce iyakar ƙasa, ya bar tarin littattafai masu ƙarfi, rubutu da labarai, gami da shawarwari da kwadaitarwa inda karatu daga baya kuma yanzu ya haɗu a matsayin tallafi ga duk abin da ya shafi ko ya shafi gine-gine, Tare da ilimin kimiya , tare da tatsuniyoyin gargajiya da zane-zane na zamanin da da na yanzu.
Koyaya, don mutane da yawa su koma zuwa Manuel Toussaint a matsayin mutum mai wasiƙu zai nuna mamaki kuma ba wata rashin amincewa ba, amma shari'ar da ba a shakka ba ita ce marubucin El arte colonial en México marubuci ne, mai ba da labari, marubuci kuma mai sukar adabi game da yawan kayan aiki. Bugu da ƙari, Manuel Toussaint ya fara shiga hanyoyin al'adu ta hanyar adabi, wanda da kaɗan kaɗan ba tare da watsi da shi gaba ɗaya ya ba da shi ba, ya zama ba shi da ma'ana don tantance wannan ƙwarewar da aikin mishan. Zai isa ya tuna cewa Manuel Toussaint shima matashin farfesa ne na adabin Mutanen Espanya a Escuela Nacional Preparatoria.
A tsararraki, Manuel Toussaint, an haife shi a 1890, ya haɗu da wannan rukunin masu ilimi tare da Alfonso Reyes (1889), Artemio de Valle-Arizpe (1888), Julio Torri (1889), Francisco González Guerrero (1887), Genaro Estrada ( 1887), da mawaƙin Zacatecan Ramón López Velarde (1888), kuma kamar su, sun fara bayyana kansa a cikin yanayin rubuce-rubuce a farkon shekarun wannan karni. Mai son kishin kasa, roƙon adawa da hayaniya wanda ya riga ya nema a cikin fatawar mulkin mallaka na baya, tuni a cikin bugun zuciya na zamani, ƙimar tabbatarwa, buƙatar ci gaba, haɓaka motsin zuciyarta ta hanyar tarihin ƙasa, na al'adu azaman sanin ƙaddarar kai.
Su maza ne waɗanda suka zama masu wayewa ta hanyar asalinsu, ta hanyar sha'awar sanin abubuwan abubuwa, yanayin, abubuwan da suka faru a tarihi kuma a lokaci guda suna ba da kasancewar ɗan Mexico. Fiye da ka'ida, fiye da masu haɗin gwiwar ra'ayi, sun kasance masoya masu farin ciki.
A matsayin marubuci, Manuel Toussaint ya shiga cikin suka tare da rubuce-rubuce, maganganu da bayanan rubuce-rubuce, tare da ba da waƙoƙi na waƙoƙi, tare da ruwayoyi da ƙagaggen yanayin yara, tare da ra'ayoyi da ra'ayoyi game da tafiye-tafiye zuwa cikin ƙasa da ƙasashen waje da wasu takaddun rubutu ta falsafa, tunani mai niyya. Ya kasance mai fassara kuma wani lokacin yakan yi amfani da zane wanda ya fito daga nasa tunanin don kwatanta aikin adabin nasa.
Shekaru shida daga 1914 zuwa 1920 sune lokaci mafi tsayi a cikin aikin karatun adabin Manuel Toussaint. Matsayi wanda, zuwa ƙaramin digiri, kuma ya raba abubuwan da yake so don zargi da tarihin fasaha kuma cewa daga 1920 zai fito fili a cikin sha'awarsa, kodayake ba zai daina yawan zuwa ba, koyaushe yana da sha'awar wasiƙu.
Idan ya zama dole a tantance mafi girman ko kuma mafi ƙarancin daidaitaccen lokacin wanda Manuel Toussaint ya nuna haɗinsa da ɗanɗanar wallafe-wallafe, zai zama a cikin 1917 da kuma kusa da kafa mujallar mako-mako Pegaso, wanda Enrique González Martínez, Efrén Rebolledo da Ramón suka jagoranta. López Velarde. A ciki Manuel Toussaint ya bayyana tare da Jesús Urueta, Genaro Estrada, Antonio Castro Leal da sauransu waɗanda ba su da shahara sosai a cikin kwamitin editan.
Wata sana'ar da ba ta karfin tsinkewar hankali ba, wacce tazo ta tattare wani salo da waka a saukake, daidaitacce, ba tare da tashin hankali ba, wanda za'a iya yin rijista da raba shi, ko kuma ince ya shigo dabi'a kusa da aikin da kasancewar mutane da yawa sauran marubuta, masu yin tsarin adabin mu na tarihi.
