Ceramics shine mafi tsufa mai ƙera ƙira da kere kere wanda muke sane dashi. Gwanin archaeological ya gano abubuwan da aka samar fiye da shekaru dubu goma da suka gabata.
Ceramics shine mafi tsufa mai ƙera ƙira da kere kere wanda muke sane dashi. Gwanin archaeological ya gano abubuwan da aka samar fiye da shekaru dubu goma da suka gabata.
A al'adance, maginin tukwane ya kasance mai ƙasƙantar da kai, mai sana'a wanda ba ya amfani da shi wanda yake samar da abubuwa masu amfani, kuma ba safai yake hawa sama zuwa sama ba.
A Gabas babu bambanci tsakanin masu fasaha da masu fasaha; ana iya ɗaukar samfurin maginin tukwane wanda ba a sani ba a matsayin aikin fasaha, kuma a cikin Japan ana girmama manyan maginin tukwane kuma ana ɗaukansu a matsayin "al'adun ƙasa."
A cikin wannan mahallin ne Gustavo Pérez da yawan kayayyakin yumbu ya bayyana. Tare da kusan shekaru talatin na aikin sana'a, ya gaya mana a cikin kalmominsa:
A samartaka; Lokacin da lokaci ya yi da zan zabi digiri na jami'a, ba ni da tabbas game da abin da zan yi a rayuwa, Wannan damuwar ta sa na nemi wasu fannonin da ba na gargajiya ba kuma na ci karo da kayan aikin tukwane, na yi la'akari da wannan kuma koyaushe ina rayuwa kamar yadda gamuwa da sa'a sosai, saboda ba shi da sha'awar yin zane-zanen filastik, wato; ba a matsayin yiwuwar ci gaban sana'a ba
A shekarar 1971 ya shiga makarantar Ciutadella School of Design and Crafts, inda ya kasance na tsawon shekaru biyu, sannan ya ci gaba da koyon aikinsa a Querétaro na wasu shekaru biyar. A 1980 ya sami gurbin karatu na shekara biyu a Kwalejin Horar da Fasaha ta Holland, kuma daga 1982 zuwa 1983 ya yi aiki a matsayin bako a kasar. Bayan dawowarsa zuwa Meziko a shekarar 1984, ya girka bitar "El Tomate" a Rancho Dos y Dos, kusa da Xalapa. Tun 1992 yana aiki a nasa bitar a ZencuantIa, Veracruz.
Na yi aiki a kan tafi, ina ƙoƙarin neman abin duniya daga abubuwan da aka sanya su na al'ada. Na yi la'akari da kaina na koyar da kaina, kayan gwaji da karatun littattafai kan al'amuran fasaha da salo, musamman fasahar Japan.
Kayan kwalliyar zamani a yammacin duniya sun sami sakewa a matsayin yiwuwar nuna fasaha ta musamman da ba za'a iya ba da labarin ta ba, kuma gaba ɗaya ta rabu da ƙimarta ta amfani, daga tasirin gabas wanda ya bazu zuwa Ingila, godiya ga makarantar Bernard Leach, wanda yayi karatu a Japan a cikin shekaru ashirin.
Gustavo ya ba da murya ga ƙasa kuma ya zauna tare da laka, tare da lakarsa, wanda ke haɗuwa da yumɓu daban-daban da shi ya shirya.
A cikin tukwanen tukwane, dabarun da nake amfani dasu an samo su, an gano su ta hanyar gwaji da kuskure da kuma farawa.Yana da wuya a kirkiri wani sabon abu, komai ya rigaya anyi, amma akwai sarari don halittar mutum.
Gano kayan kwalliya a matsayin ginshiƙin rayuwata, yana nufin burgewa da ƙalubalen shiga duniyar da aka ƙi kula da komai game da shi kuma wanda za'a iya samun sirrin dubban sa daga yankin kasuwancin.
Kasuwanci ilimi ne, hannu da tarin gogewa kowace rana. Kasuwanci fata ne kuma shima horo ne; yi aiki lokacin da aiki ya kasance abin jin daɗi sannan kuma lokacin da ya gagara ko bashi da amfani. Taurin kai kuma da alama rashin ma'ana wani lokacin yakan haifar da mahimman bincike. A cikin kwarewar kaina, babu wani abu mai mahimmanci a cikin aiki na da aka taɓa samu a wajen bitar; Kuma koyaushe, a zahiri, jan hannu ...
Gustavo ya dawo kenan daga zama na watanni uku a Shigaraki, Japan, inda akwai wata al'ada mai mahimmanci ta ƙona yumbu a cikin murhun da aka ɗora itace.
A Japan, mai zane yana da alhakin duk matakan aiwatarwa don haka shine mai kirkirar mahaɗa. Manufofin da yake bi shine binciken wasu ajizanci a cikin sigar ko a cikin kyalkyali.
Kowane mai yin zane-zane ya san yawan lokacin da abin da ba a tsammani da wanda ba a so ba ke faruwa a cikin kasuwancin, kuma ya san cewa tare da takaicin da babu makawa yana da matukar muhimmanci a lura da abin da ya faru, domin daidai wannan lokacin na rashin iko zai iya haifar da gano freshness da ba a sani ba; haɗarin azaman tsaga buɗewa ga damar da ba'a taɓa yin tunani ba.
Aikina yana neman tushe, na farko, mafi tsufa. Ina da alaƙa, nassoshi game da al'adun gargajiyar Hispanic, zuwa fasahar Zapotec da kayan karafa daga Nayarit da Colima. Hakanan tare da fasahar Jafananci tare da wasu maginin tukwane na Turai… dukkan tasirin suna maraba kuma sun fito daga wasu yarukan, kamar zanen Klee, Miró da Vicente Rojo; Ina da ayyuka wadanda tasirinsu ya samo asali ne daga son da nake yi wa waka ...
Kowace yumbu, kowane dutse, yana magana da daban, na musamman, harshe mara ƙarewa. Samun masaniya da kayan da mutum zai zaba babban tsari ne kuma ina duba dan sanin da nayi lokacin da na gano hakan; tare da faɗakarwa da ban mamaki, yadda yake amsa daban.
Canza matsayin buroshi, matsin yatsa, jinkirtawa ko ciyar da lokaci na aiwatar na iya nufin bayyanar bazuwar damar bayyananniya.
A cikin 1996 an amince da shi don shiga Kwalejin Kasuwanci ta Duniya, wanda ke zaune a Geneva, Switzerland, kuma inda akasarin wakilan Japan, Yammacin Turai da Amurka ke wakilta.
Mu mambobi biyu ne daga Mexico: Gerda Kruger; daga Mérida, da ni. Aungiya ce da ke ba da damar kulla kyakkyawar dangantaka tare da mafi kyawun maginin tukwane a duniya, wanda ya buɗe mini ƙofofin tafiya zuwa Japan da kuma koyo game da abubuwan da ke gaba da kuma samun abokai da masu fasaha daga ko'ina cikin duniya. Wannan yana da mahimmanci a wurina: la'akari da cewa a ƙwararren sana'a ina rayuwa ne kawai a Meziko.
Source: Nasihu daga Aeroméxico A'a. 7 Veracruz / bazarar 1998
Gustavo Pérez, mai tsara yumbu.
