Alameda tana dauke da launuka iri-iri na balan-balan, boleros marasa ƙarfi da silinda masu son ficewa, Alameda ta karɓi baƙuwar masu yawo, yara, masoya da waɗanda, don son yin wani abu mafi kyau, suna zaune a benci.
Kodayake haramun ne taka a kan ciyawa, kore yana gayyatarka ka huta kuma ka bayyana shirye-shiryenka na Lahadi da hutu sosai: jiki mai wanka, gashin kamshi da kaya masu haske (tabbas sabo ne) sun fi son walwala a kwance, can kusa da adadi fari wanda ya bayyana da jin kunya a cikin tsiraicin ta na marbled, yana shafa kurciya tana manne da nono na dutse. Bugu da ari a kan, mayaƙan gladi biyu sun shirya don yaƙin a cikin halin taƙaitawa a cikin kyawawan hanyoyi. Ba zato ba tsammani, a gabansu, wata yarinya ta wuce da sauri, tana girgiza hoda na wani "auduga" da ya wuce kima, wanda daga nesa ya rikide ya zama wani wuri mai ɗan kunya, zuwa rikitarwa mai saurin gudu.
Kuma a ranar da rana ke kara 12:00 na rana, lokacin da ibada ta saba karshen mako ta cika, da alama Alameda ya kasance haka; cewa da wancan bayyanar da wancan rayuwa aka haife shi kuma tare da su zai mutu. Kawai wani lamari ne na ban mamaki, rashin daidaituwa wanda ya karya rudin da aka sanya: girgizar ƙasa, lalata sassaka, zanga-zangar zanga-zanga, harin dare akan mai wucewa, zai sa wani yayi mamaki idan lokaci bai wuce ta Alameda ba.
Memorywaƙwalwar ajiyar tarihi da aka sake ginawa ta hanyar dokoki, ɓangarori, wasiƙu, labarin matafiya, rahotanni, shirye-shirye, zane da hotuna suna nuna cewa tasirin lokaci akan rayuwar al'umma ya canza bayyanar Alameda. Tsohon tarihinsa ya faro ne a cikin karni na 16 lokacin da, a ranar 11 ga Janairu, 1592, Luis de Velasco II ya ba da umarnin gina titin mota a gefen biranen inda a bayyane yake, dole ne a dasa bishiyoyi, wanda a karshe ya zama bishiyar toka.
Ana la'akari da farkon tafiya na Mexico, fitattun al'ummomin New Spain sun hallara a lambun labyrinthine. Don haka mutanen da ba su da ƙafafu ba za su ɓata ɗanyun ƙazantar da masu wadata ba, a cikin ƙarni na 18 an sanya shinge tare da duk yankin da yake. Hakanan ya kasance a ƙarshen wannan karnin (a cikin 1784) lokacin da aka tsara zirga-zirgar motocin da suke wucewa ta hanyoyinta a lokacin hutu, bayan suna da adadin adadin manyan motocin a cikin babban birnin: ɗari shida da talatin da bakwai . Idan wani ya yi shakkar cewa irin wannan adadi na gaskiya ne, hukumomi sun ba da sanarwar cewa mutanen da aka samo bayanan daga gare su za a amince da su.
Tare da karni na goma sha tara, zamani da al'adu suka mamaye Alameda: na farko a matsayin alama ta ci gaba kuma na biyu a matsayin alama ta martaba, dalilai biyu don amincewa da makomar da al'ummar da aka yanta kwanan nan ta nema. A saboda wannan dalili, an dasa bishiyoyi a lokuta da dama, an sanya benaye, an gina cafes da wuraren ba da ice cream kuma an inganta hasken.
Bandungiyoyin sojoji sun faɗaɗa yanayin wurin shakatawar kuma laima sun yi maƙil da kallo wanda daga nan suka koma ganima ko ƙyalle mai faɗuwa, kuma suka dawo daga saman sandar. Senor Regidor de Paseos, ya yi rawar gani tare da ofishin hukumarsa kuma ya sami shahara game da sake fasalinsa da kuma tunanin da yake amfani da shi a maɓuɓɓugan maɓuɓɓugan ruwa. Amma maganganun sun kasance cikin rikici mai rikitarwa lokacin da al'adun suka ɗauki nau'ikan Venus, tunda tsarkakakkun al'umar Porfirian ba su lura da kyau ba amma rashin sutturar wannan matar tsirara a wurin shakatawa da kuma ganin kowa. A haƙiƙa, a waccan shekarar ta 1890, al'adu suna ta ƙoƙari su mallake su, koda kuwa ƙananan yankuna ne, sanannen yawon shakatawa na babban birnin.
Statuary
Tuni a cikin karni na ashirin, ana iya tunanin cewa halayyar mutum-mutumi da ke sake jikin mutum ya canza, cewa sake karatun 'yan ƙasa fiye da makaranta da gida, a gidajen sinima ko a gida a gaban talabijin, ya buɗe ƙwarewa ga kyawun harshe wanda tunanin mawaƙi ke samarwa da sarari da sifofin mutum. Siffofin da aka gabatar na shekaru a cikin Alameda suna ba da labarin wannan. Wasu mayaƙan gladi biyu a cikin halin faɗa, ɗayan rabin an lulluɓe da babban murfin da ya rataya a hannunsa ɗayan kuma a tsirara mara kyau, suna ba da bishiyar bishiyar tare da Venus tare da kyakkyawar ɗabi'a wacce mayafi ke murmurewa yayin rufe gaban jikinta, kuma yana maimaita ta wurin kasancewar tattabarai biyu.
A halin yanzu, a kan wasu matattakala biyu, a hannun wadanda ke yawo a kan Avenida Juárez, adadin mata biyu ne da suka bunkasa a cikin marmara tare da jikunansu suna fuskantar kasa: daya da kafafunta a lankwashe cikin ball hannunta a tsaye kusa da kai ɓoye a cikin halin baƙin ciki; ɗayan, cikin tashin hankali saboda halin gaskiya na gwagwarmaya da sarƙoƙin da suka ɗora ta. Jikinsu ba ze bawa mai wucewa mamaki ba, basu haifar da farin ciki ko fushi ba shekaru da yawa; kawai, rashin kulawa ya sa waɗannan siffofin zuwa duniyar abubuwa ba tare da shugabanci ko ma'ana ba: guntun marmara kuma hakane. Koyaya, a cikin waɗannan shekarun a bayyane sun gamu da yanke jiki, sun rasa yatsunsu da hanci; da kuma “rubutu na rubutu” na mugunta sun lulluɓe gawarwakin waɗancan mata biyu masu ci da suna Désespoir da Malgré-Tout a Faransanci, hakan ya biyo bayan yanayin karnin da aka haife su.
Mafi munin rabo ya ja hankalin Venus zuwa ga hallaka ta baki ɗaya, saboda wata safiya sai ta wayi gari ana halaka tare da buga guduma. Wani mahaukaci ne mai haushi? Mahaukata? Ba wanda ya amsa. Ta kowane hali, sassan Venus ɗin sun yi fari fari da tsohuwar tsohuwar Alameda. Sannan, shiru, guntun guntun ya ɓace. Abun gawar jiki ya ɓace don na baya. Yarinyar mara hankali ta sassaka a Rome ta kusan mai sassaka yara: Tomás Pérez, almajirin Kwalejin San Carlos, ya aika zuwa Rome, bisa ga shirin masu karɓar fansho, yana kammala kansa a Kwalejin San Lucas, mafi kyau a duniya, da cibiyar zane-zane na gargajiya inda Jamusawa, Rashanci, Danish, Yaren mutanen Sweden, masu zane-zanen Spain suka isa kuma, me zai hana, 'yan Mexico waɗanda suka dawo don ba da girma ga ƙasar ta Mexico.
Pérez ya kwafi Venus din daga Gani mai sassaka Gani a 1854, kuma a matsayin samfurin ci gabansa ya tura shi zuwa Makarantar sa da ke Mexico. Sannan, a cikin dare ɗaya, ƙoƙarinsa ya mutu a hannun koma baya. Wani kyakkyawan ruhu ya kasance tare da ragowar sassaƙaƙƙun abubuwa huɗu daga tsohuwar tafiya zuwa sabuwar makomarsu, Gidan Tarihi na Artasa na .asa. Tun daga 1984 aka yi sharhi a cikin jaridu cewa INBA na da niyyar cire zane-zane biyar (har yanzu akwai Venus) daga Alameda don dawo da su. Akwai wadanda suka rubuta suna neman kar a cire su ya zama sanadiyyar manyan masifu, kuma suka yi tir da yadda suka tabarbare suna masu ba da shawarar cewa DDF ta mika su ga INBA, tunda tun shekarar 1983 Cibiyar ta nuna sha'awarta ta sanya su a hannun kwararrun masu dawo da su. A ƙarshe, a cikin 1986, bayanin kula ya tabbatar da cewa siffofin da aka ajiye daga 1985 a cikin Cibiyar Kula da Ayyukan Ayyuka na INBA ba za su sake komawa Alameda ba.
A yau ana iya jin daɗin su cikakke cikakke a cikin Gidan Tarihi na Nationalasa na Artasa. Suna zaune a zaure, matsakaiciyar wuri tsakanin tsohuwar duniyar su a sararin sama da kuma dakin baje kolin kayan tarihin, kuma suna jin daɗin kulawa koyaushe wanda ke hana ɓarnarsu. Baƙon na iya nutsuwa kewaye kowane ɗayan waɗannan ayyukan, kyauta, kuma ya koyi wani abu game da abubuwan da suka gabata. Giladi masu girman rai guda biyu, waɗanda José María Labastida ta ƙirƙira, suna nuna cikakken ɗanɗano na yau da kullun don haka a farkon ƙarni na 19. A waccan shekarun, a cikin 1824, lokacin da Labastida ke aiki a Mint na Mexico, Gwamnatin Tsarin Mulki ta aike shi zuwa mashahurin Kwalejin San Carlos don horar da dabarun wakilci mai girma uku da dawowa don ƙirƙirar abubuwan tarihi da hotuna. cewa sabuwar ƙasar tana buƙata, duka don ƙirƙirar alamominta da kuma ɗaukaka jarumai da kuma ƙarshen lokacin tarihin da za'a ƙirƙira shi. Tsakanin 1825 da 1835, a lokacin da ya kasance a Turai, Labastida ya aika da waɗannan mayaƙan biyu zuwa Meziko, wanda za a iya tunaninsa a matsayin isharar alamomin nunawa ga mutanen da ke yaƙi don amfanin ƙasa. 'Yan kokawa biyu da aka bi da su da harshe mai nutsuwa, tare da juzu'i masu laushi da sassauƙaƙƙun wurare, suka tattara su cikin cikakkiyar sigar kowane nau'ikan narkar da maza.
Sabanin haka, siffofin mata biyu sun sake ɗanɗanar da zamantakewar 'yar ƙarni ta Porfirian wacce ta sanya idanunta kan Faransa a matsayin gwarzuwa ta rayuwar zamani, ta al'adu da ta duniya. Dukansu suna haifar da duniyar dabi'un soyayya, zafi, yanke kauna da azaba. Jesús Contreras lokacin da yake ba da rai ga Malgré-Tout a kusa da 1898, da Agustín Ocampo yayin ƙirƙirar Désespoir a 1900, suna amfani da yaren da ke magana game da jikin mace - wanda aka fitar da shi zuwa zango na biyu ta hanyar makarantun sakandare na zamani -, suna haɗuwa da laushi mai laushi da taushi, mata marasa ƙarfi a kan m saman. Bambance-bambancen da ke kira zuwa ga gogewar tausayawa kai tsaye kan tunanin da zai zo daga baya. Babu shakka, baƙon zai ji irin wannan kira, daga bayan zauren, lokacin da yake tunanin Aprés l’orgie na Fidencio Nava, mai jujjuya-da-karni wanda ya yi aiki tare da dandano iri ɗaya a kan mace da ta suma a aikinsa. Kyakkyawan sassaka sassake wanda, godiya ga sa hannun Kwamitin Amintattun ta, wannan shekarar ya zama ɓangare na tarin Gidan Tarihi na Artasa na Artasa.
Gayyatar gayyatar ziyartar gidan kayan gargajiya, gayyatar don ƙarin sani game da fasahar Mexico sune waɗannan tsirara waɗanda ke rayuwa a cikin gida kuma waɗanda aka bar kwaikwayon tagulla a cikin Alameda.
